Writing



Documenting Life, Briefly: Writing Flash Nonfiction
Flash nonfiction, also called the micro-essay, is an increasingly popular genre for nonfiction writers. It allows for experimentation with form, language, style, and voice in ways that are difficult to sustain in longer essays and memoirs. As well, it allows the writer to home in on a particular memory, experience, or feeling. This workshop will explore what it means to be brief in literature, and how flash nonfiction can, within a narrow word count, capture a time, a feeling, or a place in vivid, resonant language. Participants will read and discuss brief nonfiction to explore the authors’ experiences and emotional responses, focusing on form and craft. With prompts provided by the instructor, students will draft several micro-essays (less than 750 words apiece) based on their own experiences, and their emotional responses to those experiences. We will workshop several of the pieces. (12 hours)

Leslie Maxwell is a writer and teacher living in Durham. Her flash nonfiction has appeared in Juked, Blunderbuss Magazine, The Fourth River, Lockjaw, Cheat River Review, and decomP magazinE. Her other writing has appeared in Rappahannock Review, the News & Observer, Walter, and other publications, and is forthcoming in Fourth Genre. Maxwell holds an MFA in creative writing from George Mason University, where she served as the founding nonfiction co-editor of Phoebe: A Journal of Literature and Art. Find her online at lesliemaxwell.com.

Additional Information:
There will be no class March 14.

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W198FA18
Center for Documentary Studies
CDS Library
Maxwell 10/23 - 11/27 Tu 07:00 PM - 09:00 PM $230.00 View

From Pitch to Publish: Getting Your Writing into the Marketplace (Online)


This class is designed to help you publish your work. Its emphasis, first, is on making that work more lucid, balanced, and convincing—on giving it the shape and authority we associate with published prose. We will also focus on practical questions: How do you get an agent? What are the elements of a successful pitch? What do the best book proposals have in common? Meetings will cover every step of the process, from contacting an editor and pitching a story to doing research and interviews, writing the initial draft and revising until the piece is ready for publication. Readings by Cheryl Strayed and Toni Morrison, among others, will be complemented by visits with agents, editors, and publishers. (16 hours/All Levels)

Please note: This course is offered in an online format and will not meet at CDS but will instead take place in regularly scheduled virtual sessions.

Benjamin Hedin is the writer and producer of the documentary feature Two Trains Runnin’, as well as the author of In Search of the Movement: The Struggle for Civil Rights Then and Now. He also edited one of the most widely respected anthologies of music writing, Studio A: The Bob Dylan Reader. His work has been published by the New Yorker, the Atlantic, Slate, the Oxford American, the Chicago Tribune, Poets and Writers, the Georgia Review, and more.

Additional Information:
The class will be conducted online. A late-model computer, fast internet connection, and built-in camera are recommended, though not required. Students with less than optimal hardware or internet connections are welcome to take the course, though it may be difficult to participate fully in virtual meetings.

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Cancelled
WR208oSP18
Center for Documentary Studies
Virtual Classroom
Hedin 4/11 - 5/30 We 07:00 PM - 09:00 PM $295.00 View

Introduction to Nature Writing
Many of us read Henry David Thoreau in high school or college. Has nature writing changed since his time? And if so, what does it mean to write about the world around us today? Sometimes writing about nature invites the reader to consider the natural world and their place in it. Other times, nature writing allows the writer to turn his or her focus inward. And other times, nature writing is a catalyst for activism and conservation. This workshop will invite writers of all skill levels to investigate different forms and types of nature writing, as well as the different purposes that nature writing can serve. We will read different kinds of nature writing from several time periods, and produce our own pieces. And, perhaps most importantly, we will spend some time outside. (12 hours/All Levels)

Leslie Maxwell’s flash has appeared in Juked, Blunderbuss Magazine, The Fourth River, Lockjaw, Cheat River Review, and decomP magazinE. Her other writing has appeared in Fourth Genre, the North Carolina Literary Review, Rappahannock Review, the News & Observer, Walter, and other publications. She is a graduate of the MFA program at George Mason University in Virginia, where she also served as cofounding nonfiction editor of Phoebe: A Journal of Literature and Art. Find her online at lesliemaxwell.com.

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WR212FA18
Center for Documentary Studies
CDS Library
Maxwell 10/27 - 10/28 Sa Su 10:00 AM - 05:00 PM $230.00 View

Master Class: Nonfiction Writing

 
This workshop brings students together with professional writers and editors for an intense week of collaborative discussion, revision, and writing. Students in the workshop will read and discuss the ongoing projects of fellow students, work individually with the instructors to refine and shape their own projects, and participate in readings and round-table discussions with top figures in the publishing world. Throughout the week, students will have the space and time for sustained, concentrated writing, as well as access to the world-class Duke University Libraries system. This is a workshop on craft, structure, and the art of writing great nonfiction, and a rare opportunity to be guided closely by top editors and writers. (38 hours)

Haven Kimmel is the author of eight books: Two memoirs, the #1 New York Times bestseller A Girl Named Zippy and She Got Up Off the Couch, and Other Heroic Tales from Mooreland, Indiana; four novels; and two books for children. She graduated from Ball State University with a degree in creative writing and studied with the novelist Lee Smith at North Carolina State University. She is currently working on a horror novel and a non-fiction collection of essays about Quakerism. She lives in Durham.

Janine Latus is a freelance journalist and the author of If I Am Missing or Dead: A Sister’s Story of Love, Murder and Liberation, which made bestseller lists in New York, London, and Toronto. She is a graduate of the University of Missouri School of Journalism and a former board member of the American Society of Journalists and Authors. Her work has appeared in Discover, O, The Oprah Magazine, Parents, Fitness, More, and dozens of other magazines and websites. She is at work on her second book, about her recent year living as a nomad.

Barry Yeoman is a Durham-based freelance magazine journalist whose recent work has appeared in The American Prospect, Saturday Evening Post, onEarth, Audubon, and Parade. He is the author of “The Gutbucket King,” a longform multimedia profile of New Orleans bluesman Little Freddie King, published by The New New South. He specializes in putting human faces on complex social, political, and environmental issues. His website is barryyeoman.com.

Additional information:
The enrollment fee includes dinner the first night and all lunches during the week. Students are responsible for housing and transportation.

Two sections will be offered. Hours for the intensive are:

Section A
Taught by Haven Kimmel and Barry Yeoman
Sunday, June 10: 5 p.m.–9 p.m.
Monday–Thursday, June 11–14: 9 a.m.–5 p.m.
Friday, June 15: 9 a.m.–8 p.m.

Section B
Taught by Janine Latus and Barry Yeoman
Sunday, August 5: 5 p.m.–9 p.m.
Monday–Thursday, August 6–9: 9 a.m.–5 p.m.
Friday, August 10: 9 a.m.–8 p.m.

Friday's sessions conclude with a public presentation of student work.

See the course blog for a schedule, information on housing options, and more.

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WR535SU18A
Center for Documentary Studies
CDS Auditorium
Yeoman 6/10 - 6/15 Mo Tu We Th Fr Su Varied $675.00 View
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WR535SU18B
Center for Documentary Studies
CDS Auditorium
Yeoman 8/5 - 8/10 Mo Tu We Th Fr Su Varied $675.00 View

The Nonfiction Story: Beginning to End (Online)


This class explores the rudiments of documentary storytelling, with the goal of taking you from the stage of having an idea to crafting something presentable and publishable. Since all narrative possesses the same formal characteristics regardless of genre, we will study examples of film and audio documentary as well as writing, covering such topics as how to utilize interview testimony; introducing character; foreshadowing; planting a hook; exposition; surface text versus subtext; the problem of pacing; endings and resolution; and revision. The instructor closely monitors your progress and drafts, making sure that by the end of the eighth week your piece is done. Syllabus includes readings by Toni Morrison and Colson Whitehead; episodes from the Criminal and Home of the Brave podcasts; and films by Barbara Kopple and Raoul Peck. (12 hours/All Levels)

Please note: This course is offered in an online format and will not meet at CDS but will instead take place in regularly scheduled virtual sessions.

Benjamin Hedin is a Grammy-nominated film producer and the author of In Search of the Movement: The Struggle for Civil Rights Then and Now. He also edited one of the most widely respected anthologies of music writing, Studio A: The Bob Dylan Reader. His work has been published by the New Yorker, the Atlantic, Slate, the Nation, the Oxford American, the Chicago Tribune, Poets and Writers, and more.

Additional Information:
The class will be conducted online. A late-model computer, fast internet connection, and built-in camera are recommended, though not required. Students with less than optimal hardware or internet connections are welcome to take the course, though it may be difficult to participate fully in virtual meetings.

Add Section Location Ages Grades Instructor Dates Days Times Fees Details Open
Register Now!
WR213oFA18
Center for Documentary Studies
Virtual Classroom
Hedin 10/11 - 12/13 Th 07:00 PM - 09:00 PM $325.00 View